Matthias Hoch, Leipzig #1, 2007, c-print, 176 x 250 cm at the main reception of Derwent London office building 25 Savile Row. Courtesy Rocket Gallery London. Published in Space, Issue 5, p. 2, Derwent London 2009.

Ari Messer, Vacancy and claustrophobia, Review of the exhibition Matthias Hoch: New Work at Rena Bransten Gallery, San Francisco, September 4 - October 11, 2008. San Francisco Bay Guardian, 30 September 2008, p. 49.

Matthias Hoch: Almere Rotterdam Naarden Leipzig, Photographs
Edited by Dogenhaus Galerie Leipzig; Galerie Akinci, Amsterdam; Rena Bransten Gallery, San Francisco; Rocket Press, London; text insert by Aimée C. Reed (English), graphic design by Markus Dreßen, 39,5 x 30 cm, 32 pages, 17 color plates, softcover (different versions), Leipzig/London 2008.

Massimo Carboni, Review, Artforum, New York, October 2006, XLV, No. 2, p. 276.
The exhibition Matthias Hoch, May 16 to July 1, 2006 at Studio d’Arte Contemporanea Pino Casagrande, Rome, was part of Fotografia – Festival Internazionale di Roma.

Susanne Altmann, Die Stadt als Bühne ohne Akteure, ART, Hamburg, 4/2005, S. 89

Blind Spot, Issue 17, New York 2001. Cover: Mitch Epstein, pp. 30-39: Matthias Hoch, Paris #32, #27, #42, #34, Zittau #36. Courtesy Rena Bransten Gallery, San Francisco.

Tank, issue 2, London 2001. Cover: Patrick James Michel, pp. 40-43: Matthias Hoch, Paris #6, Leipzig #5, Paris #40. Courtesy Rocket Gallery, London.

Portfolio, Number 32, Edinburgh 2000. Cover: Shirin Neshat, pp. 50-55: Matthias Hoch, Private Eye, text by Roy Exley. Paris #27, #31, #12, #2, #7. Courtesy Rocket Gallery, London.

Matthias Hoch, Fotografien
Edited by Oldenburger Kunstverein, text by Ulf Erdmann Ziegler (German),
graphic design by Markus Dreßen, 19,5 x 15,5 cm (total 98 x 15,5 cm), leporello,
10 pages, 8 illustrations, Oldenburg 2000.