Massimo Carboni, Review, Artforum, New York, October 2006, XLV, No. 2, p. 276.
The exhibition Matthias Hoch, May 16 to July 1, 2006 at Studio d’Arte Contemporanea Pino Casagrande, Rome, was part of Fotografia – Festival Internazionale di Roma.
Susanne Altmann, Die Stadt als Bühne ohne Akteure, ART, Hamburg, 4/2005, S. 89
Blind Spot, Issue 17, New York 2001. Cover: Mitch Epstein, pp. 30-39: Matthias Hoch, Paris #32, #27, #42, #34, Zittau #36. Courtesy Rena Bransten Gallery, San Francisco.
Tank, issue 2, London 2001. Cover: Patrick James Michel, pp. 40-43: Matthias Hoch, Paris #6, Leipzig #5, Paris #40. Courtesy Rocket Gallery, London.
Portfolio, Number 32, Edinburgh 2000. Cover: Shirin Neshat, pp. 50-55: Matthias Hoch, Private Eye, text by Roy Exley. Paris #27, #31, #12, #2, #7. Courtesy Rocket Gallery, London.
Matthias Hoch, Fotografien
Edited by Oldenburger Kunstverein, text by Ulf Erdmann Ziegler (German),
graphic design by Markus Dreßen, 19,5 x 15,5 cm (total 98 x 15,5 cm), leporello,
10 pages, 8 illustrations, Oldenburg 2000.
Matthias Hoch, Fotografien
Plakat der Städtischen Galerie Wolfsburg, 2000
Abbildung: Matthias Hoch, Paris #2, 1998, c-print, 180 x 149 cm
Design: Markus Dreßen, Leipzig. Format: DIN A1. Druck: Benatzky, Hannover
Auszeichnung: Die 100 besten Plakate des Jahres 1999
European Photography, Number 63, Göttingen 1998. Cover: Juergen Teller, pp. 52-59: Matthias Hoch, Aufgeladene Orte/ Charges Places, text by Christoph Tannert. Leipzig #4, #18, Oschatz #17, Leipzig #5, #19, #23, #7. Courtesy Rena Bransten Gallery, San Francisco.
Commissioned photography and picture editing for a publication by the engineering firm BPR. Text by Volker Struck, graphic design by Henrik Gacnik, 30 x 22 cm, 78 pages, 43 color plates. Published by BPR/ Bernd F. Künne, Hannover 1997.
